Give Directa a brief and a film type. It runs the right treatment end to end — scripting, storyboarding, edit and finish — from a mini-documentary to a meme. Built for D2C brands, founders, and content teams that need ten videos a month, not one a quarter.
A type isn't a filter — it's a complete production doctrine: its own tone, scripting method, storyboard style, and edit recipe.
Evidence-led mini-doc. Interview and voiceover spine, real beats, breathing pace. The brand earns its place at the last beat — never before.
Absurd premise, played 100% bureaucratically straight. Shark-Tank pitch energy: talking heads, reaction cutaways, a physical-prop punchline.
One gag, total commitment. Deadpan dread flipped to an absurd reveal — the brand arrives inside the punchline, and the loop makes it land twice.
Designed around messages: 5–9 ideas, one scene each, sized to be heard and read once. Hook, stepwise reward, one in-video CTA, loop close.
One tracked human with a real want, a foil who carries the heart, and a payoff at the very last beat. Color and framing tell the story.
One bold, defensible claim in the first line — then immediate proof, shown in real time. Numbers as hooks, brand seal at the end.
Product-as-hero, one clear promise, premium restraint. Confidence carries the film — no gimmicks, no hard sell.
Hook + demo, talking-head, or day-in-the-life. Friend-voice, never ad-voice — the format that converts, not just gets views.
Every production runs the same spine, parameterized by its type. Nothing expensive happens until you've seen — and corrected — the film on paper.
Your prompt + a type. Optionally add reference images or video to steer the look — or raw footage to be treated and cut.
Written by the type's own method — a message-unit grammar for viral, a character-want spine for emotional, a claim-proof spine for impactful.
The review artifact: per scene — the screen, the on-screen text, the voice line, the duration, the phase. Built at zero generation cost from existing assets and text frames.
No paid generation fires until the storyboard is approved. Corrections happen on the board, never through re-renders. Endless re-renders are a production bug.
Stills → motion → voice → music → edit, in a single pass against the approved board. Distinct character voices with real delivery direction; music ducked under the voice.
The type's edit recipe, then hard gates: vertical 1080×1920, broadcast loudness, frame-accurate duration, clean audio. It ships when it passes — not before.
Every film starts with a free storyboard — script + scene strip, ₹0. You approve it on paper. Then one render, priced by type.
Nothing renders until you approve the board. One approved render per film — corrections happen on paper, not through re-renders.
A one-line brief is enough. Directa scripts to the type, boards it, and generates every frame after approval — photoreal stills, native-dialogue motion, character voiceover, an original music bed.
Hand over raw rushes and Directa becomes your editor and colorist: it ingests, transcribes, and boards with your actual frames — then grades, stabilizes, reframes, cuts to the type's recipe, captions, and scores.
Pick a type, write one line, and watch it become a storyboard.
Start a brief